Catherine Deneuve made a comeback as expected as it was moving at the Cannes Film Festival on Saturday July 10. Eighteen months after his stroke and fifty-seven years later Umbrellas of Cherbourg by Jacques Demy, Palme d’Or in 1964, the actress climbed the steps for the film In his lifetime by director Emmanuelle Bercot, in which she plays the mother of a thirty-something (played by Benoît Magimel) condemned by cancer.
Wearing a long black velvet dress, Catherine Deneuve was greeted with a standing ovation and a shower of applause as she entered the Grand Auditorium Louis Lumière. A moment of very strong emotion shared by the film crew and its director Emmanuelle Cradle.
“It was better than I hoped” Emmanuelle Bercot returns for @franceinfo on the tribute paid last night to Catherine Deneuve for the screening of “De son vivant” (with @GallinaroG) pic.twitter.com/ifohDI1baG
– Matteu Maestracci (@MMaestracci) July 11, 2021
“I knew that yesterday evening was first and foremost Catherine’s evening. That people were waiting for her, her more than the movie. What was good was that she was there for the movie, she was not there for anything else, so the two events came together “, says Emmanuelle Bercot. “The reception she had, it’s still a lot of love that people showed her and it touched me enormously to see her moved too. It was really very strong for us to be there. next to her in that moment “, continues the director.
“Obviously, she was prepared for all that, it’s not easy, we expose ourselves. And in fact she let herself be completely transfixed by the love that people showed her.”Emmanuelle Bercot
A new ovation accompanied the end of the screening of Emmanuelle Bercot’s film, ppresented out of competition in Cannes ahead of its November 24 release. A welcome to which the director was again very sensitive. “I don’t know if I was happy, because there’s something always a bit unreal about Cannes too, so we’re not quite sure what’s really going on, she confides to franceinfo. But anyway, I was very anxious to show the film to an audience – this is the first time it has been shown to the public – to find out if what I wanted to do work. And what I wanted to do is make a melody that makes people cry. And so I saw that it was working well, so it made me very happy! “, she continues humorously.
With In his lifetime, Emmanuelle Bercot signs the poignant story of the end of life, while avoiding the pitfall of pathos. “I push the emotion quite far in the film, it’s very voluntary, I go much further than where I have been in other films and I fully assume, explains the director. But afterwards, I would say that avoiding pathos is the elegance and intelligence of the people who play too, and of the actors. “